Providing service and support to film and television musicians.
In accordance with the collective bargaining agreements between the American Federation of Musicians (AFM) and the Alliance of Motion Picture and Television Producers (AMPTP), Film Musicians Secondary Markets Fund (FMSMF) participant Musicians are not allowed to assign their residual wage benefits. Further, a participant beneficiary may not assign residuals payments he or she is eligible to receive on account of the death of a participating Musician. Participant Musicians are expected to complete a Musician’s Beneficiary Designation Form to ensure their beneficiary wishes are carried out after their passing.
The Fund reserves the right to not issue a replacement check after 7 years from the date of issue, unless there is sufficient documentation to support the re-issuance of an original or replacement check. In the absence of such documentation, the Fund will take the position that a check has been cashed and will not be re-issued. This decision remains at the discretion of the Executive Director.
Notice Regarding Escheat Regulations - Please be advised that pursuant to the California Code of Civil Procedure, Section 1521 ("CCP § 1521"), the Film Musicians Secondary Markets Fund qualifies for the "safe harbor" exemption under subsection (b) created for labor unions, and their associated pension/residual/royalty funds that would otherwise apply to unclaimed property and monies
Effective November 10, 1999, all musicians who are discovered to have been omitted from a covered film, partially, in full, or for whatever reason, and whose omission has been verified, will be credited prospectively. Retroactive checks will be issued for the period inclusive of the date of the first contribution on behalf of the film in question, from 1989 forward, through the date of processing. This policy applies to films from all the studios, productions companies and payroll companies utilizing musicians under the auspices of the American Federation of Musicians and for which the first contribution was received by the Special Payments Fund (now Film Musicians Secondary Markets Fund) during and after the year 1989.
Musicians who were omitted for work done on films for which contributions were received prior to 1989 will be covered when an inquiry is received and verified. These musicians will be credited prospectively, and retroactive checks will be issued which cover the period between the date of receipt of the first contribution, but no earlier than 1989, through the date of processing only.
If contracts are located for films for which the Fund has received no musician inquiries, omitted musicians will be credited prospectively. Retroactive checks will be issued which cover the period between the date of receipt of the first contribution, but no earlier than 1989, through the date of processing only.
Full and/or partial wage omissions will be processed similarly, without distinction between them. The same policy and system(s) will be utilized in the treatment of both. Retroactive payments for both will be drawn from the same combined reserve fund.
Exceptions to these policies will be handled on an individual, case by case, basis, with the Executive Director making the final decision.
Irrespective of the permission granted in the Direct Deposit enrollment form that authorizes the Fund to debit a Participating Musician's or Beneficiary's account, in the event of an erroneous deposit into his/her account1, it is the policy of the Fund that no such debit(s) shall be taken without prior notification via certified mail to the Participating Musician or Beneficiary at the Participating Musician's or Beneficiary's address of record with the Fund. In addition, the Fund shall provide such Participating Musician/Beneficiary the opportunity to provide the Fund with a reason in writing why such debit should not be taken, and to request a reconsideration of the debit. The request for a reconsideration—which must be accompanied by the written reason(s) for such reconsideration—must be submitted via certified mail to the Executive Director, Film Musicians Secondary Markets Fund, 15910 Ventura Pl, 9th Floor, Encino, CA 91436, and postmarked within two (2) business days from the date of the receipt of the notice from the Fund of the erroneous deposit. The Executive Director shall review Participant's request and make final determination as to the validity of the claim.
If the Executive Director rejects the Participant's request or no request is made, overpayments shall generally be deducted from the Participating Musician's/Beneficiary's disbursal subsequent to the disbursal in which the overpayment was made. In the unlikely event that it should be necessary to debit the Participating Musician's/Beneficiary's account, final notice shall be given, via certified mail, to the Participating Musician or Beneficiary at the Fund's address of record for the Participating Musician or Beneficiary at least two days prior to executing the debit.
This policy is effective as of June 19, 2001.
1"In the event that the Fund deposits funds erroneously into my account, I authorize the Fund to debit my account for an amount not to exceed the original amount of the erroneous credit."
In accordance with Paragraph 2(a) of the Film Musicians Secondary Markets Agreement annexed to, and made a part of, the AFM-AMPTP Basic Theatrical Motion Picture and AFM-AMPTP Basic Television Motion Picture Agreements, in the event of the death of a Musician entitled to a distributive share thereunder, the Executive Director shall distribute such share to the beneficiary designated by the Musician on a form provided by the Executive Director for such purpose or, if no such beneficiary be so designated, then to the surviving spouse of such Musician; or if there be no such person, to the Musician's estate. Upon the death of such beneficiary, the Fund will cease to make any further payments, except as provided below:
Notwithstanding the above, it is the policy of the Fund that a Musician may also designate a "beneficiary of his/her beneficiary" (a/k/a the "BoB", or "Musician's Final Beneficiary" a/k/a "MFB") with the Fund. Such beneficiary of beneficiary (BoB) must be confirmed in writing by the Musician on a form provided by the Executive Director, and upon the death of the Musician's beneficiary, the Musician's distributive share will be distributed to the BoB designated by the Musician. Upon the death of such BoB, the Fund will cease to make any further payments. Only the Musician may designate a BoB. In the event a Musician fails to name a BoB on a form provided by the Fund, the Fund will cease to make any further payments upon the death of the Musician's beneficiary.
A BoB who was designated in writing by an existing active beneficiary on or before March 31, 2018 will continue to receive the share on account of such beneficiary as designated in writing following the death of such beneficiary. However, the Fund will cease to make any further payments upon the death of such BoB.
Updated December 20, 2017
For participants who are both a Musician and an active Beneficiary of another musician and receiving payments as a beneficiary prior to March 31, 2018:
If there is no Beneficiary of Beneficiary (BoB) Designation Form on file as of March 31, 2018, the payments the Musician is receiving solely as a beneficiary of another musician will cease upon the Musician's death. However, if a Musician does not have a Beneficiary Designation Form on file at the time of his/her death, but was an active beneficiary with a valid BoB Form on file, this BoB Form will be used to determine his/her beneficiary.
Additionally, if the Fund has both Forms on file [the Musician's Beneficiary Designation Form and a previously executed Beneficiary of Beneficiary (BoB) Designation Form covering the Musician's status as an active beneficiary receiving residuals on account of another Musician as of March 31, 2018] and each Form designates a different beneficiary, then the Fund will comply with the designation(s) as indicated on each Form.
If you would like to update your Beneficiary Designation card, please click here.
Effective April 1, 2005, the Fund will handle cases of fraud perpetrated by or against participants in the following ways:
If it is proven that the participant is a victim of fraud (i.e. their check is stolen, forged and cashed) the Fund will make a determination on a case by case basis and depending on the amount will:
If it is determined that the participant has committed the fraud (i.e. cashed duplicate checks) the Fund will establish themselves as a levy/lien agency for purposes of collecting future residuals checks:
No checks are replaced in the months of December and January to prepare for tax reporting. Check reissues resume in February.
Effective July 5, 2001, the Fund will expand slightly the application of "Participating Musicians" resulting from the inclusion of sound recordings in covered motion pictures and television films. Specifically, this policy will amend the second and third sentences in the first Paragraph of the May 13, 1992 "Side-letter" (at page 100 of the '96-'99 Basic Theatrical Motion Picture Agreement) regarding "Participating Musicians" as follows:
It is understood that the Special Payments Fund may distribute the payments provided under Articles 15 and 16 of the Theatrical Agreement and under Article 14 of the Television Agreement to "participating musicians," as defined in those Articles, and to musicians entitled to receive live session payments under Article 8B. Any musician entitled to receive live session payments under Article 8B. shall participate on the distribution of such monies on the same basis as if he/she were considered a "participating musician.""
This change—while necessary to enable the Fund to include numerous sound recording musicians for participation in Secondary Markets Fund (f/k/a "Special Payments Fund") payments who unequivocally performed on records utilized in motion pictures, but were not actually paid for such performances—will have absolutely no financial impact on the Producers.
The policy is not intended to create any additional obligation for payment on the part of the Producer, but merely to secure the appropriate participation in the Secondary Markets Fund for the affected musicians.